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RUTH BLUMERT |
Ruth Blumert lives in Jerusalem. She has
published a novel, HaTsariach (The Tower, 1984); a collection of
short stories, HaMalach (The Angel, 1984), a collection of poems,
Golim ‘al Kochav Zar (Exiles on a Strange Planet, 1991), and a
rhymed translation of Coleridge’s The Rime of the Ancient Mariner
(2001), as well as two children’s books, Zehirut, Mag’a Zahav
(Caution! Golden Touch!, 1987) and Ta’alumat HaOtsar be-Mikhrot HaI
Ha’Agol (The Mystery of the Treasure in the Mines of the Circular
Island, 1996). She is a former editor of BAMAH, a magazine devoted to
theater.
Many of her poems in the original Hebrew can
be viewed at
http://www.blogs.bananot.co.il/showPost.php?blogID=254
The poems below appeared in The
Neovictorian/Cochlea and The Deronda Review, and were
translated by Esther Cameron. CONTENTS [untitled] ("I pray you, gather my souls") The Rivers The Last Song Light [untitled] ("We are waiting for something to happen") For the Choirmaster, on the Death of a Father [untitled] ("The Printer is slowly printing out....") Hybrid Proportions The Refusal Those Put To Death Season of Transition Spring Wind Untitled ["Let it rain"] Av 5765 The Reader of Coffee Grounds
[untitled]
I pray you, gather my souls like windfallen figs before the sated herd comes back from the pastures; cut them open one by one, watch for the worm: it will guide you to the sweetest, to the choicest, to my most eaten soul. Cattle and birds and low-lying air will break the others down, return them to the soil.
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THE RIVERS
The rivers that made our land fertile from which we greedily slaked our thirst after toil have sunk, like us, into the earth, moistening, at most, our bones. The wind that led us to stray in a land without seed and also diverted the waters into our footprints goes on galloping through the sandy deserts and we with the remnant of our strength following the wind farther and farther into the desert with the waters following us as aforesaid, yet with a certain respect, a kind of appreciation, they carved paths in the rock, in the sands, drew the map of their temporary being, and we in the wind unwearyingly were thrown to all the winds and spirits and out- side the world and nature not even an eyelash did the wind bat that flew over our skeleton dissolving in the waters of the deep
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[untitled]
When the time comes and the sign is given and you realize that only you are chosen to understand and behold its meaning and you flee from the ark and land on a branch of bitter olive that breaks under your weighty message, the weight of your breakdown, and your compassion carries it to the four corners of the earth in mad centrifugal flight or you jump from the ship or ask to be thrown to the waves to save the sailors bound for Tarshish no prettified picture by Picasso can capture the greatness of the terror and the convulsion in the cold belly of the fish and before and after.
P.S. And the sons of the prophets, sign salesmen fattened on ascetic delights, will crash their plane into the Utopian Islands and submarines will explode the cliffs of Ararat.
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THE LAST SONG
This message was honed by the beam of a laser scalpel: No one shall write of this city its gates have sunk down its warfare is accomplished in puddles Jerusalem don’t be glum intangible, inconceivable, stay as you are gaze down from your post as the traditional Platonic reflection of the impossible that might have been had it not been for your body so patiently sprawled on the mountains not in the earthquake and why not in the earthquake not by might and why not by might so, intangible, unenvisioned, knowing that every right hand that withered and each left hand that sanctified missed the point. Gaze on Utopias through the heavenly window perhaps pitying, perhaps loving those who err understanding that the atrophied vigil is in vail that you have become accustomed to not being.
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LIGHT
Suddenly the world will become illumined. It must, in spite of the sun and moon so busy keeping watch, and I will laugh at its dismay and my smile will blare out the forgotten song. Verily I say unto you verily the light is in me and truth and love
it’s hard to believe
in ruth
this is an almost hallucinatory possibility but the light that will break forth from behind the blockade of sun and stars and that perhaps will vanish at the first shadow of doubt is as real as the sun and more brightly blazing the ash of my body will testify to something or will disappear
I will understand.
In the genes of the universe I am the soul plagued by mutations and obstacles a problem for itself but the soul is used to reality. Only the soul’s love is of the hidden source in a sphere beyond understanding perhaps from beyond the kingdom which no ancient city and no orient surmised and abides in the shadow of its noble reflection. I’ll be diagnosed as a megalomaniac as one who has lost touch with reality because of the truth and love that is in me. I am sick with illuminations
I don’t know to what extent it is harmful How shall I stand it When will the world become illumined become illumined as it must.
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[untitled]
We are waiting for something to happen Not for the Messiah nor the barbarians They’re both here already Perhaps the aliens will be kind to us in their manner their red-green sponginess their feely antennas sensitive to the desires of the heart.
We’ve had lots of visitors angels and prophets and vexers of spirit conquering nations juggling with human skulls as with the terrestrial ball that keeps getting kicked from place to place through unknown cataclysms.
Obviously there’s a reason a purpose a plan but it’s complicated and unconcerned with details
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FOR THE CHOIRMASTER, ON THE DEATH OF A FATHER
Perhaps it is possible to walk on water and rocks and coarse sand squeaking grains Among remains of fishes, broken shards and trash In the sun shining on a multitude of intents and directions. Miriam’s well is stopped up, hidden, And the Wells of Salvation is the name of a hospital. My father died as I was singing to him "And with my soul my body too" in the Gates of Righteousness Which had opened for him avidly. Winter clouds moved windlessly aside. Lamentation and bitter weeping silenced by shots and shells. The sun illuminates intents and directions. On the shores of the world they bake cakes for the Queen of Heaven, Pondering about the spirit of sacrifice that has passed from the others and the ideas that crashed. How shall we sing. While the Spirit is scratched and is fainting. On the willows within it we hung our harps. So dreaming about nirvana like the lowest of the untouchables, on sands White like suntanned crabs sipping something cold, expensive. One more melody remained. A pity. You who seek to walk on water, straight or round about, acquire thick- soled sandals, Lake Ginossar has surprises. Stones also grow between the hulks of ancient ships and fish skeletons. Drink the Waters of Eden against the heat. Mutter something about the world that was ruined And be sure the art students document that. An original subject rooted in the sources is exposed, sad, and catchy. Go with the film to a festival The prize will get you a spot on the edge of some Olympus so you can devote yourself to your own existence. Rather than to working miracles. Of course you’ll still be concerned about the fate of the Earth and the country and the Sea of Galilee and the well of Miriam as well as About the extermination of lice and mutants of positive Ebola.
Hear O Israel. My heart exults over the perfection of the death of my father in the Gates of Justice His feet wore paths without calculation With what gentleness he taught me to wash my hands stretched out over the high sink With cold water with a vessel made from a tin can that had not yet rusted. Hand in hand we walked through the dim and crowded alleyway on a hot summer day, he sipping tamarind juice with evident pleasure, I skipped beside him and my new sandals got into some donkey’s dung. We got to the steep wall growing bushes in the chinks between the stones Then I did not know what he was doing in the soft silence and why we did not return. And there was the tune "Abraham rejoices Isaac sings Jacob and his sons shall rest upon it" and after that the stars burst in the sky And there was Havdalah. And how did he identify the red lines before they were exposed with trepidation. Amen I say to you. Spring up, O well! Sing about it.
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[untitled]
The printer is slowly printing out the poem I wrote, The paper high quality, bright white, Clear the letters. Was my meaning clear Or was it some craziness bound up with bother – Hookup of appliances that are dark to me Obedient to writing that is dark to them. There's beauty in that. Even a mysterious pleasure. Something responds to my dwindling caprices If I just send it energy.
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HYBRID
The plastic flowers my granddaughter brought from kindergarten – The red rose and the yellow rose – I stuck them mischievously in the cracked flowerpot Where they still bloom in the shadow of a stubborn plant. Upon both drop the dews Of the same providence Sprinkling the petals of both Which fade at different rates, Inanimate and vegetable. The glasses on my nose – I’ve changed how many frames and prescriptions? – Are part of my face. And the scratched lenses, that steam up Like my eyes, tired from the struggle With their heavy lids.
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PROPORTIONS
Getting up too early to live too late for daydreams I’d cry Help! But the rescue workers are busy with earthquakes and leaking reactors, tremendous things.
I restrain myself.
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THE REFUSAL
Again his face is turned to the wall Refusing to recognize The last doctor who has arrived.
The house like a crypt in midday And he howled when they revived him suddenly From his recurring dream, in the garden In the shadow of another tree.
In the windowless room, by the flickering candle They placed a feather to spy on his breathing Which he stopped, Precipitately ignoring them. The family hopes for a miracle worthy of notice In some evangelium.
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THOSE PUT TO DEATH
We practice on the deaths of others – kin, distant kin, and so forth – to know what will be done to us and what is half the kingdom and whose hand will clench upon our soul struggling to free itself dying to remain in the light –
the hidden is a temptation one who longs and for whom we long
thus it is decreed in My thought
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SEASON OF TRANSITION
I put on white clothes innocent of grease spots pure as the polar snow. Now I am wrapped and enveloped by my two green leaves: the cradle and the wedding canopy.
One day a butterfly will break forth from its shrouds and fly away.
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SPRING WIND
I am exhausted from following the movements of the branches in the wind: they move with a desperate alacrity, dust whirling round them.
In the glass of hot tea, green mint gyrates at the touch of a silver spoon. It will grow cold and drift to the bottom, weary and ragged.
I cover myself with clothing, turn on all the space heaters – the cold inside me is still wins.
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[UNTITLED]
Let it rain. Bring down the rain. Get everything wet. Including the washing on the line. That is, Turn all that is clean and dry Into a spongy miserable cold dark mass Like me.
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AV 5765
The events of the month of Av took place In the blazing clarity Of August. And there was no comforter –
Aside from words Which sound hollow even in the dark And there is no comforter –
We need a month of Em. – [Note: “Av,” the name of the month, also means “father – “em” is “mother.)
*
The first day of the week. I thought there was no chance But I phoned my daughter. And she answered: Moshe is waiting in the car.
That was apparently the last phone call to Atsmonah – Short and to the point. Perhaps she was crying. I was.
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THE READER OF COFFEE GROUNDS
The reader of coffee grounds turned the cup over. There were no grounds at all. Transparent, occluded secrets laughed silently.
But the cup twitched in the disappointed hand Like a body Like a dimmed crystal ball Whose core hints: The future is hidden
The waters of purification sink into the dust.
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