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ODED MIZRACHI |
from SIGNALS FROM CREATION'S WOMB poems translated from the Hebrew by Esther Cameron
Born in 1960 in Petach Tikvah to a non-religious family, Oded Mizrachi studied cinema and literature at Tel Aviv University before becoming a ba'al teshuva (returnee) in 1984. He is a student of Rabbi Yitzchak Ginsburgh. He has published three collections of poetry in Hebrew, as well as criticism and fiction. He is currently working on a book of true stories of returnees. The title Signals from Creation’s Womb was suggested by Rabbi Ginsburgh. According to Kabbalah, the world came into being in the space that resulted from the contraction of Divinity. This space (only apparently empty, because all the universe is filled with the Creator in a hidden way) is called the "womb of creation." Signals from Creation's Womb is published by Bitsaron Books. Copies may be ordered from Oded Mizrachi (odedmizr@netvision.net.il).
A PERSONAL ANTHEM
To be a free religious person in our land! I hum a personal anthem to myself, Standing at attention in the Tel Aviv mall, Dizzy with the movement of the crowd.
Continually sipping Huge quantities of malignant freedom In the Holy Land, in the city of lights.
How is it possible to connect This illusory happiness With Torah and mitzvot? I torment myself as usual.
Riding up on the escalator, Rehearsing for the days of the Messiah Within my convulsed soul, And muttering brief songs of ascent.
Catching in the corner of my eye Magnificent storefronts, Palaces of chocolate, Show windows of women's perfumes, Exhibits of ticking clocks.
Sweet vision of enchanting death.
Someday I will arise In the resurrection of the dead So free and happy
I'll even be dying to become religious!
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THE LABORATORY OF THE EMPTY SPACE In short lines I will bow my head To my two souls And kiss them with a furrowed brow.
With my powerful internal motor I will escape the force of gravity Of the small mind.
With great love I will tear The mask of a crumbling faith, And shatter the views of the sun With infinite joy.
My soul that lolls On the beaches of Tel Aviv – I will immerse it in a drop of the waters of the abyss.
My soul that wends its way between the walls of Meah Shearim – I will turn it for one moment to the heights.
And as on Passover night I will burst through the walls of the sea, And in the laboratory of that empty space
I will fuse them completely.
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THE STRICTLY KOSHER SUPERCONSCIOUS
You need to keep a close watch On the poem, Strictly supervising the words As they write themselves.
Keeping an eye on the ox Unhitched from the heavenly chariot As he bellows through the worlds Toward the slaughterhouse.
Toward the abysmal arrangement Of limbs and organs.
You need to sort strictly The words that drift down From out there in space Into the grooves of the lines.
To affix on the superconscious The stamp of the holy tongue And be infinitely immortalized In the prayer of pain
And to vigilantly permit the delights of love only with the Abstract that hides in the chambers of the heart.
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SARAH, MY DAUGHTER, LOOKS AT ME
Sarah, my daughter, looks at me From a framed picture From a frozen past.
The graceful ears of wheat beside her, The balcony in Jerusalem And its spectacular mountain landscape,
And especially that restrained joy That looks out of her brown eyes, Are not figments of my imagination.
Nor her wise smile Cooperating with the photographer, Nor cloven skies.
Sarah my daughter is basically A simple, innocent child, And only this lightning that gaped to the depths
Exposed something wondrous in her That shines in the sunset Of our daily illusion.
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RECUMBENT ON THE PROMISED LAND
In occasional moments of devastation I yield with all my heart To exhaustion.
Recumbent on the promised land Without any inner complaint, Completely idle,
Filling my brain with only You, Who fills all worlds!
From minute to minute my body perishes, But more and more believes.
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DISCARDED LOVE
The open channels of love In this world Are thin and sharp Like a row of syringes In the operating room.
Almost everything is dangerous. Even one superfluous glance Is apt to complicate the situation.
Even when happiness is permitted It pierces the heart.
There is nowhere to flee to. Only to close your eyes And illumine from within.
And then to thrust oneself out Like a space laboratory Into the loving light.
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ETERNAL LOVE
There are words of love in me, A burden heavy like no other, An outpouring of molten rock.
Underground love That murmurs in the lava of the core, Holy mountains on fire.
Toward the street, nothing -- The obscure movement of souls On express sidewalks.
But toward the blue sky On my street the combinations Of the hidden eruption will take form.
On the marble rock that rests On the root of my soul, will be engraved Stone letters telling
Of my love affair -- Modestly concealed in public -- With the soul of the world.
Born in 1960 in Petach Tikvah to a non-religious family, Oded Mizrachi grew up in Eilat until the end of high-school. He served in the intelligence corps of the Israeli army and then began studying cinema and literature at Tel Aviv University. His secular studies were interrupted in 1984 when he began studying at a yeshiva for ba’alei teshuva (returnees) in Jerusalem. He is a student of Rabbi Yitzchak Ginsburgh. He has published three collections of poetry in Hebrew, as well as criticism and fiction. The title Signals from Creation’s Womb was suggested by Rabbi Ginsburgh. According to Kabbalah, the world came into being in the apparently empty space that resulted from the contraction of Divinity. (However, in truth the Creator fills the whole universe in a concealed way.) In Kabbalah, this "empty space" is also called the "womb of creation." Signals from Creation's Womb is published by Bitsaron Books. Copies may be ordered from Oded Mizrachi (odedmizr@netvision.net.il).
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